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Costume Makes/Alterations
A selection of work as a costume supervisor, assistant, and costume maker.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Fanta Twisted Carnival
Breakdown Assistant
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
The Green Knight
Whitehorse Theatre
Costume Maker.
Designed by Jenny Gamble.
Tabard machine sewed.
Designed by Jenny Gamble.
Tabard machine sewed.
The Green Knight
Whitehorse Theatre Company
Costume Maker.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Romeo and Juliet.
Costume Maker.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Ran
Costume design inspired by Norse Mythology.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Fanta Twisted Carnival
Breakdown Assistant
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
The Green Knight
Whitehorse Theatre
Costume Maker.
Designed by Jenny Gamble.
Tabard machine sewed.
Designed by Jenny Gamble.
Tabard machine sewed.
The Green Knight
Whitehorse Theatre Company
Costume Maker.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Romeo and Juliet.
Costume Maker.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Ran
Costume design inspired by Norse Mythology.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Fanta Twisted Carnival
Breakdown Assistant
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
The Green Knight
Whitehorse Theatre
Costume Maker.
Designed by Jenny Gamble.
Tabard machine sewed.
Designed by Jenny Gamble.
Tabard machine sewed.
The Green Knight
Whitehorse Theatre Company
Costume Maker.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Romeo and Juliet.
Costume Maker.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Ran
Costume design inspired by Norse Mythology.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Fanta Twisted Carnival
Breakdown Assistant
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
The Green Knight
Whitehorse Theatre
Costume Maker.
Designed by Jenny Gamble.
Tabard machine sewed.
Designed by Jenny Gamble.
Tabard machine sewed.
The Green Knight
Whitehorse Theatre Company
Costume Maker.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Romeo and Juliet.
Costume Maker.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Ran
Costume design inspired by Norse Mythology.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Alterations and macaroni blood effect.
The House of Yes.
Design Assistant/Costume Supervisor.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Designed by Rachel Ryan.
Directed by Matthew Parker.
The Hope Theatre.
Apron machine sewed.
Fanta Twisted Carnival
Breakdown Assistant
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
Designed by Charlie Cridlan.
Assisted in dirtying down and aging costumes.
The Green Knight
Whitehorse Theatre
Costume Maker.
Designed by Jenny Gamble.
Tabard machine sewed.
Designed by Jenny Gamble.
Tabard machine sewed.
The Green Knight
Whitehorse Theatre Company
Costume Maker.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Designed by Jenny Gamble.
Helmets altered with embellishments and dirtied down.
Romeo and Juliet.
Costume Maker.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Designed by Jenny Gamble.
Whitehorse Theatre Company.
Applique attachments.
Ran
Costume design inspired by Norse Mythology.
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